Believe Until the End: How I Became an Action Coordinator on a Feature Film 1 Day Before My 28th Birthday

It’s amazing how the universe works. Just as another example of “ask and you shall receive” – this year I had been asking the universe to give me a fight scene in a feature film in Asia before my birthday in November. I kept pursuing my goal and working but it seemed like chances were slim. Suddenly in mid-November I get a call from the director of this film and he asks if I am available to help with fight choreography. After we worked out details — the exact day I officially arrived at the studio was Nov 22nd — 1 day before my birthday. Pretty interesting how everything worked out. =)

Without giving away too much of the story, it’s essentially about a kid who learns wing chun to help him overcome obstacles. The movie’s storyline is definitely not like Ip Man and is meant for a younger audience… though I think all ages could still check it out.

This particular movie situation was quite interesting. When Antony (the director of “Wushu – The Young Generation”) and I got involved with the project the movie had actually already been partially filmed. In fact a good amount had been shot, but towards the final cut the executive producer realized the action was severely lacking… and since it was a martial arts movie it was supposed to have super action. This is where we came in.

Before I continue any further I must highly thank and appreciate Antony for having faith in me as a first time action director for a feature film. Antony has worked as a stuntman in Australia and has directed a movie with Sammo Hung and Jackie Chan as producer so it was a truly a great honor to be working with a professional at his caliber who also gave me a lot of respect and freedom with my ideas. Speaking of Sammo and Jackie.. I also want to mention another of the Seven Little Fortunes – Yuen Wah (the landlord in Stephen Chow’s Kung Fu Hustle / villain in Dragon’s Forever) is one of the actors in this film.

Since we were re-shooting all the action plus a decent portion of the drama we had a lot to do. On top of that we had a smaller budget than the original crew, less resources, and no time. I didn’t even know this until I arrived in Guangzhou, but apparently I had to design roughly 10 fights to be filmed in about 10 days… because in total we had 14 days to film and 7 days to do pre-production work (including new casting, location scouting, set design, fight choreo, etc). Also we had almost no stunt guys originally and the lead was a 12 year old.

But first…

…we had to learn a little wing chun. So fortunately I actually studied a little wing chun here and there, but of course not on the level of 7th generation wing chun master. We had a wing chun master on set as consultant and sifu of the wing chun movie. He was a bodyguard for a prince and also at one point taught in London where Bruce Lee visited when he was in London. The sifu was 67 years old but his arms were as strong as an oak tree.

Now that we had the wing chun training in order we had to bring in the rest of the artillery.

Enter Alberto and Kyle.

Both of my friends had been working on feature films in China and I knew they were perfect to help out on this expendables style intense mission which required 10 fights in about 10 days. These guys had so many different fights to do in such a short time that I’m definitely glad they were able to come out.. without them it would have been a totally different experience.

I mean after all we wouldn’t have been able to add in some dope JCVD moves like this!

..or rehearse 10 different fights each day starting first thing in the morning like in the video below.

..or party like rockstars with hardcore rap blasting rollin deep with hunnies to tha left and right.

I actually got more than I bargained for (in a good way). I was coming under the expectation that I would be simply designing the fights. Aside from a few shorts I had never directed a feature film, much less operate a Red One camera.

Because timing was so tight, we had so much to cover, and I knew all the action… just a few days into production we sort of broke into 1st and 2nd units. I learned to operate the camera to follow the action on fight scenes.. and directed for the action scenes. This made my head start spinning in terms of camera angles and so much more.

A few surprises along the way included:

A visit from Mark Moran and Ruhi.

I was really happy Mark visited in Guangzhou. He happened to be stopping through the area and was able to drop by set. I showed him the studio, the green screen room, and we had a nice dinner with Ruhi, the actors, and the director.

Also a visit and cameo by AliveNotDead’s very own JuJu Chan. The director, fight coordinator, and 3rd AD all make a little cameo in the movie.

During the period of the shoot  the director’s, Xiao Long our lead, and my birthday all passed. Happy birthday to us! haha 🙂

As I write this, we are a few hours away from being completely wrapped. The past 3 weeks have been intense and non-stop. We all worked over 12 hour days and everyone is starting to feel the wear and tear… but I think for the time we had to work with we got some good results. I hope people will enjoy the action.

There were some ups and downs with the producer side with last minute changes with story, plot, characters, etc.. but it can’t be completely unexpected. Overall I had a great experience working with the Ace Studio team and learned a great deal. I developed fun and lasting memories with my kung fu bros Alberto and Kyle. It was also really interesting to go from all this tai chi training to learning wing chun – both happen to be the top 2 on my list of traditional Chinese martial arts styles that I  wanted to learn… so of course it’s AMAZING when your job is to learn those martial arts styles. I am going to end with an awesome quote that Antony said on set today.. sometimes I get so excited about what I’m doing and think to myself.. so I’m learning all this cool stuff “…AND I get paid for this??!”